The Getaway: High Speed 2

The back glass for The Getaway as described in the post

The Getaway: High Speed II, Williams, 1994.

So a break to the 1990s now, which means a machine whose backglass looks at least somewhat plausible. This is the sequel to High Speed, yesterday’s post.  That’s right, more illegal car racing.

In the center of the backglass a red — Lamborghini? Ferrari? — generic 80’s sports car drives down the center line of a two lane highway directly at the camera. The black asphalt is impeccable and the road is dead straight. On the left of the backglass we see a steep drop-off and behind it a mountain. On the right of the backglass we see another steep drop off but it’s unclear what may be beyond.

Our view is obstructed by two black helicopters, one on each side, and police cars behind the red sports car. I suspect the main character is in trouble.

High Speed

The backglass to the pinball game high speed as described in the post

High Speed, Williams, 1986.

This game is about racing an 80s red sports car, possibly a Lamborghini or a Ferrari, through the streets of some small town while the police chase you. Consequently the backglass is the view of the inside of a police cruiser staring out the window at a red sports car racing down the road in front of it. If the illustration’s speed lines are to believed, it’s moving pretty quickly.

We can also see two officers of the law. The one on the left has his left hand in the 2:00 position on the wheel on a straight road, so he flunks my high school driving test. The other is reading off of a long list of warrants into a handheld police radio similar to a CB. Based on the number of his teeth we can see and how wrinkled his face is, he is displeased.

The dashboard is the scoreboard, but each of the players is labeled as “Speeder 1”, “Speeder 2”, etc. which means the higher your score the faster you’re zooming away.

Batman 66

The backglass for the game Batman 66 as described in the post.

Batman 66, Stern, 2016.

There are a large number of Batman pinball games and as of this writing, Batman 66 is the newest one. While most of the other machines are tie-ins to the movies, Batman 66 is a tie-in/homage to the 1966 TV classic. It’s filled with cut scenes from the TV series featuring Adam West.

The glass is typical of its time. Batman is centered in his blue costume with his cape billowing behind him. To our right, Robin runs beside him in red, yellow, and green. Both are masked. To the left, mini portraits of Catwoman, Joker, Riddler, and Penguin are painted. The bottom right corner contains a painting of the absolute land yacht that was the 1966 Batmobile.  We can barely make out a city skyline and the bat signal in the background, because so much of the space is filled with comic word balloons of the sound effects from the show: sock, wammm, biff, zap, etc.

While I’m not a fan of the “look we made a movie poster” style of tie-in, this one is particularly good at capturing the clean bright colors of the show as well as the zany sound effect bubble special effects. It’ll do quite well.

Taxi

The backglass for Taxi, as described in the post.

Taxi, Williams, 1988.

Hoo boy is this a 1980s machine.

The framing of this backglass is over the right shoulder of a taxi driver (United States, so he sits on the left of the car) who’s stopped at a red light. As the viewer, you’re presumably either in the back seat or straddling the center console.

The driver is a bit scary looking, like if Rudy from Funhouse became real, six foot tall, and got a job. He’s wearing a red newsboy cap with three buttons on it: MIA/POW, Say NO To Drugs, and a third I can’t make out. He’s also wearing what appears to be green camo with a green patch on the shoulder.

In front of our hero’s tax from left to right, Marilyn Monroe in her famous red dress stands with two green suitcases, Russian President Gorbachev waves while holding a briefcase, Pinbot stands back from the curb, Dracula raises a hand from behind his cape, and Santa Clause is running up the street to wave down the taxi.

Marilyn is not actually Marilyn for the purposes of the game, by the way. Williams had a problem getting the rights to Marilyn Monroe’s likeness, according to the Internet Pinball Database, and the character was renamed Lola for the purposes of the game. Williams modified the art for all but 200 machines that had already shipped, and sometimes she was a brunette and sometimes a redhead. According to the same source, she was named for The Kinks song Lola.

I’m pretty sure that makes her the first official trans person represented in pinball. Good.

The building Santa is running past has a Williams Pinball Palace sign on the corner, and a placard advertising “The greatest pinball games: Cyclone, PinBot, Space Station, High Speed, Bonzai Run, Comet, and Big Guns”. Nice product placement, there, Williams

We can also see the taxi’s rear view mirror which is half painted with the driver’s right eye and ear reflected in it, and half chromed so we can see what’s behind the machine (in this case a wall and part of a basketball game).  The car’s hood is of course taxi yellow, the dashboard looks so squared off it could’ve been made of lego brick, and the meter doubles as a jackpot display.

If you look at the other machines tagged 80s aesthetic on here you’ll find that Taxi fits the “we’ll turn any concept into a pinball machine” feel of that decade, which might be why the 1990s were so incredibly dominated by branded properties.

The Shadow

 

Backglass for The Shadow as described in the post.

The Shadow, Midway, 1994.

Another movie tie-in machine, this one features the character of The Shadow in the center holding two pistols, a woman whose maid’s costume is falling off on  the left, and Ghengis Khan reincarnated on the right. Two stone lions guard the lower two corners while two of the movie’s magical ring decorate the upper two corners of the backglass. A full moon and city skyline complete the background. If you’ve seen the movie poster, there are no surprises here, which is of course the point.